{"id":4667,"date":"2023-05-05T14:46:17","date_gmt":"2023-05-05T12:46:17","guid":{"rendered":"https:\/\/assitej.pl\/activities\/international-performances\/"},"modified":"2023-06-28T14:45:04","modified_gmt":"2023-06-28T12:45:04","slug":"international-performances","status":"publish","type":"page","link":"https:\/\/assitej.pl\/en\/activities\/international-performances\/","title":{"rendered":"International performances"},"content":{"rendered":"
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As part of the international ASSITEJ Association, we strive to create projects not only on a local or national level. Through the efforts of the members of our Association’s Board, in recent years we have been able to realise performances with foreign partners. Among them were:<\/p>\n<\/p><\/div>[\/vc_column][\/vc_row][vc_row pix_particles_check=”” css=”.vc_custom_1683723300236{margin-bottom: 30px !important;}”][vc_column width=”1\/3″]

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The performance-installation "Chopin's Heart" in Tbilisi (2020)<\/h3><\/div><\/div><\/div>

na podstawie powie\u015bci \u201eBieguni\u201d Olgi Tokarczuk<\/p>\n

premiera\u00a020.12.2020, Writers’ House of Georgia | Royal District Theatre | Tbilisi, Gruzja<\/p>\n<\/p><\/div>

re\u017cyseria | scenografia | \u015bwiat\u0142o:<\/b> Wojciech Faruga<\/span><\/div>
adaptacja i dramaturgia | koordynacja w Gruzji:<\/b> Davit Gabunia<\/span><\/div>
choreografia:<\/b> Krystian \u0141yso\u0144<\/span><\/div>
koordynacja w Polsce:<\/b> Adam Biernacki | Lena Tworkowska<\/span><\/div>
obsada:<\/b> Nata Murvanidze | Kato Kalatozishvili | Paata Inauri | Giorgi Sharvashidze<\/span><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row pix_particles_check=”” css=”.vc_custom_1683723305216{margin-bottom: 30px !important;}”][vc_column width=”1\/3″]
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\u201eDecalogue\u201d in Tbilisi (2019)<\/h3><\/div><\/div><\/div>

na podstawie cyklu \u201eDekalog” Krzysztofa Kie\u015blowskiego i Krzysztofa Piesiewicza<\/p>\n

premiera\u00a09. 11. 2019 r.\u00a0Royal District Theatre, Tbilisi, Gruzja<\/p>\n<\/p><\/div>

re\u017cyseria | scenografia | \u015bwiat\u0142o:<\/b> Wojciech Faruga<\/span><\/div>
adaptacja i dramaturgia:<\/b> Davit Gabunia<\/span><\/div>
muzyka:<\/b> Joanna Halszka Soko\u0142owska<\/span><\/div>
kostiumy:<\/b> Keti Nadibaidze<\/span><\/div>
foto:<\/b> Magda Hueckel<\/span><\/div>
wyst\u0119puj\u0105:<\/b> Sandro Samkharadze | Giorgi Sharvashidze | Giorgi Kikvidze | Nata Murvanidze | Nani Chikvinidze | Zaal Chikobava | Paata Inauri | Kato Kalatozishvili | Magda Lebanidze | Ioseb Khvedelidze<\/span><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row pix_particles_check=”” css=”.vc_custom_1683723310244{margin-bottom: 30px !important;}”][vc_column width=”1\/3″]
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\u201eRighe, left on the heel\u201d (\u201ePrawy, lewy na obcasie\u201d) in Tbilisi (2017)<\/h3><\/div><\/div><\/div>

Tbilisi International Festival of Theatre<\/p>\n

Premiera: 4 pa\u017adziernika 2017, Marjanisvhvili State Drama Theatre<\/p>\n<\/p><\/div>

re\u017cyseria | scenografia | \u015bwiat\u0142o:<\/b> Wojciech Faruga<\/span><\/div>
tekst:<\/b> Sebastian Majewski<\/span><\/div>
ruch sceniczny: <\/b> Damian Kwiatkowski<\/span><\/div>
video:<\/b> Szymon Celej<\/span><\/div>
koordynacja:<\/b> Weronika Komorowska<\/span><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row pix_particles_check=”” css=”.vc_custom_1683723315239{margin-bottom: 30px !important;}”][vc_column width=”1\/3″]
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\u201eHershele\u201d (\u201eHerszek\u201d) in Istanbul (2014)<\/h3><\/div><\/div><\/div>

na podstawie opowiada\u0144 Janusza Korczaka<\/p>\n

premiera: 11 maja 2014 r., MaskKara Tiyatrosu, Stambu\u0142<\/p>\n<\/p><\/div>

scenariusz, re\u017cyseria:<\/b> Adam Biernacki<\/span><\/div>
koordynatorzy:<\/b> Paulina Danecka, Burhan G\u00fcn<\/span><\/div>
wyst\u0105pili: <\/b>Bur\u00e7ak \u00c7\u00f6ll\u00fc, Simge Gedizlio\u011flu, Alper G\u00fcnay, Onur \u015eirin, Ali Bircan Teke, \u00c7a\u011f\u0131l Tekten, Caner T\u00f6r, Ay\u015feg\u00fcl Yal\u00e7\u0131ner<\/span><\/div><\/div><\/div>[\/vc_column][\/vc_row][\/vc_section]<\/section>","protected":false},"excerpt":{"rendered":"[vc_section pix_over_visibility=””][vc_row pix_particles_check=””][vc_column][\/vc_column][\/vc_row][vc_row pix_particles_check=”” css=”.vc_custom_1683723300236{margin-bottom: 30px !important;}”][vc_column width=”1\/3″][\/vc_column][vc_column width=”2\/3″][\/vc_column][\/vc_row][vc_row pix_particles_check=”” css=”.vc_custom_1683723305216{margin-bottom: 30px !important;}”][vc_column width=”1\/3″][\/vc_column][vc_column width=”2\/3″][\/vc_column][\/vc_row][vc_row pix_particles_check=”” css=”.vc_custom_1683723310244{margin-bottom: 30px !important;}”][vc_column width=”1\/3″][\/vc_column][vc_column width=”2\/3″][\/vc_column][\/vc_row][vc_row pix_particles_check=”” css=”.vc_custom_1683723315239{margin-bottom: 30px !important;}”][vc_column width=”1\/3″][\/vc_column][vc_column width=”2\/3″][\/vc_column][\/vc_row][\/vc_section]","protected":false},"author":3,"featured_media":0,"parent":4635,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4667","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/assitej.pl\/en\/wp-json\/wp\/v2\/pages\/4667","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/assitej.pl\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/assitej.pl\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/assitej.pl\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/assitej.pl\/en\/wp-json\/wp\/v2\/comments?post=4667"}],"version-history":[{"count":8,"href":"https:\/\/assitej.pl\/en\/wp-json\/wp\/v2\/pages\/4667\/revisions"}],"predecessor-version":[{"id":4762,"href":"https:\/\/assitej.pl\/en\/wp-json\/wp\/v2\/pages\/4667\/revisions\/4762"}],"up":[{"embeddable":true,"href":"https:\/\/assitej.pl\/en\/wp-json\/wp\/v2\/pages\/4635"}],"wp:attachment":[{"href":"https:\/\/assitej.pl\/en\/wp-json\/wp\/v2\/media?parent=4667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}